Miral Movie Filmy4wap Review
Cast:
- Bharath
- Vani Bhojan
- K.S. Ravikumar
- Meerakrishnan
- Rajkumar
- Kaavya Arivumani
Director:
- M. Sakthivel
Producer:
- CH Sathish Kumar
Music Director:
- Prasad S N
Cinematographer:
- Suresh Bala
Editor:
- Kalaivanan R
Related Links:
The Telugu-dubbed version of the Tamil movie “Miral” (2022), featuring ‘Premisthe’ Bharath and Vani Bhojan as the leads, has hit the theaters. Here is our review.
Story:
Rama (Vani Bhojan) is tormented by nightmares about her husband Hari (Bharath), who barely survives a workplace accident. Following her mother’s suggestion, Rama and Hari travel to her hometown to perform rituals to ward off the bad omens. However, on the night of the ritual, Hari is summoned back to the city. During their return, they encounter strange events reminiscent of an incident from a decade ago in the village. What happened back then? Will Hari and his family make it back safely? Find out by watching the movie.
Plus Points:
Bharath delivers a compelling performance, especially in the quest scenes in the latter half of the film, capturing the emotional depth of his character.
Vani Bhojan performs satisfactorily, and the supporting cast delivers adequate performances. The cinematography effectively creates some thrilling moments.
Minus Points:
The central plot is revealed only in the final 15 minutes, making the rest of the movie feel overly prolonged and dull.
Although the concept has potential, the weak screenplay fails to keep the audience engaged. The supposedly scary scenes do not evoke the intended fear.
The Telugu dubbing is notably poor, with annoying voice work for characters ranging from Bharath to K.S. Ravikumar to Master Ankit. Many characters seem unnecessary and contribute little to the story.
Technical Aspects:
M. Sakthivel, as both writer and director, fails to craft an engaging horror thriller. The film lacks the necessary twists and turns to sustain interest until the climax.
Prasad S N’s music score is mediocre. Suresh Bala’s cinematography is competent, while Kalaivanan R’s editing is average. The absence of songs and a shorter runtime are the film’s only saving graces.
Verdict:
Overall, “Miral” fails to captivate and turns out to be a tedious watch. Despite Bharath’s nuanced performance, the unengaging storyline, weak screenplay, and poor dubbing make it hard to recommend. It might be better to explore other entertainment options.