Raajahyogam Movie Filmy4wap Review
Cast and Crew:
- Starring: Sai Ronakh, Ankita Saha, Bismi Nas, Ajay Ghosh, Praveen, Giri, Bhadram, Shakalaka Shankar, Chitram Srinu, Sijju
- Director: Ram Ganapathi
- Producer: Mani Lakshman Rao
- Music Director: Arun Muraleedharan
- Cinematography: Vijay C Kumar
- Editor: Karthika Srinivas
- Related Links: Trailer
Review: Raajahyogam
After his appearance in “Odela Railway Station,” Sai Ronakh stars in “Raajahyogam,” alongside Ankita Saha as the female lead. The film has released today, and here is an analysis of its merits and flaws.
Storyline:
The plot revolves around Rishi (Sai Ronakh), a mechanic whose life goal is to marry a wealthy girl to secure a comfortable future. His path crosses with Shree (Ankita Saha), a rich woman, and he begins to court her. Meanwhile, a subplot unfolds involving gangsters clashing over two valuable diamonds. As Rishi and Shree discover surprising truths about each other, they find themselves entangled in the ongoing crime saga. The narrative then follows multiple characters vying for the diamonds.
Strengths:
Sai Ronakh stands out as the film’s greatest asset, displaying excellent screen presence and performing impressively in key scenes. His dance sequences are particularly noteworthy, and he demonstrates significant growth as an actor, enhancing the film’s appeal. Some comedic moments land effectively, the action scenes are stylishly choreographed, and the background score is well-executed. The first half of the film is relatively fast-paced with a few engaging moments, and the protagonist’s epiphany is well-depicted.
Weaknesses:
The film suffers from a disjointed screenplay that lacks coherence, resulting in a disrupted narrative flow. The second half drags, with little progression in the storyline, making it a test of patience for the audience. The inclusion of random songs and an artificial love track in the latter part of the film detracts from the overall experience. The comedy is largely ineffective and often vulgar, reaching excessive levels that can be uncomfortable for viewers. Furthermore, the high adult content limits the film’s suitability for a broader audience. An important character’s role is clichéd and lacks originality, and the crucial backstory revealed towards the end is unconvincing.
Technical Aspects:
Arun Muraleedharan’s background score is adequate, and Vijay C Kumar’s cinematography is commendable. The production values are solid, indicating significant investment in the film. However, the editing could have been tighter, with at least a 10-minute reduction to improve pacing. Director Ram Ganapathi’s attempt to infuse humor throughout the film falls flat due to poorly crafted scenes. Stronger character development and more emotionally resonant situations were needed to engage the audience effectively.
Conclusion:
“Raajahyogam” fails to deliver as a coherent comedy, despite a few redeeming scenes and a strong lead performance. The film struggles with its narrative structure and excessive adult content, making it a disappointing choice for the weekend.